THEMES IN PHILIP LARKIN'S POETRY
THEMES IN PHILIP LARKIN'S POETRY
Theme is derived from the Greek words "Proposition, Deposit". According to A Dictionary of Literary Terms by MARTIN GRAY:
"Theme is the abstract subject of a work, its central idea or ideas, which may or may not be explicit or obvious. A text may contain several themes or thematic interests."
For example it can be argued that SHAKESPEARE's King Lear (c.1605) touches upon all the following themes; rashness, evil, the nature of truth, appearance and reality, kinship, sexuality, ingratitude, selfishness, and so on.
Philip Larkin's poetry has a variety of themes: such as religion, melancholy, pessimism, realism, isolation, love, nature, social chaos, alienation, boredom, death, time and sex etc. Some critics have pointed out the narrowness of his range of themes, while his admirers have expressed their praise for his distinctive treatment of these themes but his limited work has unlimited depth. There are many themes in his poetry which are as follow:
i. Religion is the most prominent and dominant theme of his poetry. Larkin has composed his poetry in the context of his temperament and of his personal views on life, religion, and religious dogmas. He shares his thoughts about God, religion and the existing scenario of religious beliefs of different classes of society in one of his poems, ‘Church Going’ in a realistic manner. His poem ‘Church Going’ chronicles the account of that time, when people had become suspicious of the existence of God and religion. Larkin’s sarcasm is seen from the very first line of the poem:
“Once I am sure there's nothing going on.”
The description of the church would be familiar to anyone who has visited a small parish church in Britain. The layout is typical of the architecture prevalent in the Church of England, with a central aisle flanked by wooden pews with cushioned kneelers and prayer books placed on small shelves on the backs of the pews. An altar rail separates the sanctuary on the east end from the rest of the church. Behind the altar rail, one sees a pulpit on the left, a lectern on the right, and in the centre a large altar or communion table. Large Bibles are normally kept open to the day's reading from both pulpit and lectern. Although the narrator himself is not an active member of the Church, he nonetheless mounts the lectern and reads the lesson, even closing with the words "Here endeth the lesson," (which would not be in the Bible itself -- suggesting the narrator recalls them from memory) precisely as a lay reader would during a service. He then returns to his persona as a non-religious tourist, dropping a sixpence (roughly equivalent to a quarter in U.S. terms) into the collection box and signing the visitor book. The narrator resolves this contradiction with an understanding that the value of churches and religion lies in what he calls their seriousness, or their long tradition of being a place concerned with the great and meaningful issues of life and death, as opposed to the ordinary and every day. The narrator finally understands his own reason for seeking out churches and the purpose of the churches he seeks in the final two stanzas:
“It pleases me to stand in silence here; / A serious house on serious earth it is, ... / And that much never can be obsolete, / Since someone will forever be surprising / A hunger in himself to be more serious, / And gravitating with it to this ground, / Which, he once heard, was proper to grow wise in ...”
ii. Melancholy which means "a deep feeling of sadness that lasts for a long time and often cannot be explained". Melancholy embraces all his themes. This is also the most prominent and dominant theme of his poetry. It is because of his incurable pessimistic attitude. Eric Homberger, in 'The Art of the Real ', describes him as:
"The saddest heart in the post-war supermarket".
Larkin's attitude in his poem "Ambulances" is pessimistic with an atmosphere of pathos and melancholy hovering over it. The poem shows the hollowness and emptiness of a modern man who has no time to show love and sympathy for a sick man, he says:
"And since the solving emptiness / That lays just under all we do."
That modern man is devoid of sympathy, he only pays lip service to the sick man, but no practical solution.
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iii. The element of Chaos which means "a state of complete confusion and lack order" and Destruction is distinct in Larkin's poetry, as his poem MCMXIV(1914).It illuminates the poet's impression of the post-war world. Larkin fails to come out of the horrors of war. His poetry revolves around the disastrous and chaotic effects of war. He minutely observes the chaotic social, political, economic and theological system. He discusses the chaotic situation in which people were forced to migrate to villages in search of shelter. Larkin sympathises with the lost generation and criticizes at the craze for war.
iv. His poem, "Church Going" shows Nihilism which means ''a philosophical doctrine that suggests the lack of belief in one or more reputedly meaningful aspects of life'' and Pessimism which means ''a state of mind in which one anticipates undesirable outcomes or believes that the evil or hardships in life outweigh the good or luxuries.'' ANDREW MOTION says that:
"Larkin has often been regarded as a hopeless, inflexible pessimist"
Church Going deals with contemporary agnosticism. The narrator in this poem is very sceptical about churches. Larkin's dilemma is not whether to believe in God or not, but what a man can replace with God. Though the 'Church' is the symbol of faith, peace and purity yet in the modern age people have lost faith in Church. He says:
"Who will be the last, the very / Last to seek this place for what It was."
And further, he says that:
"Shall we avoid them as unlucky places? "
As for as the nihilism is concerned, Larkin talks about the negation of life and shows his disgust with the modern civilization.
v. Realism is also a dominant theme in LARKIN's poetry. In Church Going, it shows the disintegration of religion and church as an institution, that people are losing faith in existing Church and Christianity. And Church has failed to prove its importance and value in the society. In "Mr Bleaney", Larkin has described the life of an ordinary man. Mr Bleaney is actually a post-war tattered person who doesn't realise the importance of time. He observes that the room is dirty and there is no room for books. It also contains autobiographical elements. MCMXIV is based on reality, it shows the condition of people just before the war, it also highlights the miserable condition of the people whereas, the people are simple and innocent the title of the poem also stresses that the era of peace before the war can never retreat. He says:
" Those long uneven lines Standing as patiently / As if they were stretched outside the Oval and Villa Park. "
"Ambulances" is also a very realistic poem, it shows the picture of the post-war world, where people are sick and dying day and night.
vi. Loneliness and Alienation which means "a sense of not belonging, either to a community or to one's own sense of self" are the recurrent themes of Larkin. His poem " Mr Bleaney" is about the wretched plight of modern man and its pleasures. MR. BLEANEY lives in abject poverty because of economic pressures. The poet satirises at the modern civilization which is going to dogs. It is full of chaos and there is no hope for betterment in the life of a common man.
vii. Love is another significant theme of his poetry. He regards love as a supreme illusion. Love comes in the guise of melancholy. His poetry shows that modern man has no love and sympathy for others. So, he doesn't depict love as very ardent or satisfying passion. He believes that everyone is sure to be disappointed in love. His poem "No Road" depicts the impossibility of the fulfilment of love. He always tries to explore the gap between what one expects in love and what he receives in it as Mr Bleaney and the man in Ambulance both are deprived of love in their lives.
viii. Larkin's pessimism leads him to contemplate about Death. It is the dominant theme in his poetry. His imagination is always gripped with the idea of death which made him a contemplative soul. Almost every critic noted his obsession with death. He emphasizes on the omnipresence of death. His poem "Ambulances" represents death. He says that the busy routine of an urban neighbourhood is disturbed by the sudden emergence of an ambulance. ANDREW MOTION remarks:
“The poem "Ambulances" modestly and devoutly collects evidence of ordinary life to create a truth which can be universally acknowledged.”
The sight of the graves makes a man wiser, therefore, every grave reminds the thoughts of death. It is ‘Ambulances’, however, that provides us with the bluntest depiction of human mortality, with its vivid descriptions of illness and death. The poem exposes:
“The solving emptiness / That lies just under all we do.”
Death itself figures as a subject in 'Aubade' He works all day long and drinks at night while 'unresting death' draws nearer to him every day and his mind is blank without any thought about how and when he will die. Work may also help to combat the thought of death, but it cannot stave it off. So, the poet says in 'Toad Revised':
"Give me your arm, old toad: / Help me down Cemetery Road."
ix. The theme of Boredom and Sadness also rules over Larkin's poetry. The insignificance of man is described in his poem Going. Larkin writes in 'Dockery and Son' that 'life is first boredom'. His rejection of life was due to the fact that it never exercised any fascination for him. He says:
"Whether or not we use it live, it goes. "
Again, in "Dockery and Son", he says:
"Childhood for him was a forgotten boredom."
x. Nature is represented in Larkin's poetry as impersonal and neutral. He doesn't take nature as holy mother; rather it comes in the clock of chaos and destruction. He says:
"Nature is impersonal and neutral."
So, he doesn't highlight the beauty of nature but he only gives the description of canals, civic life, village and industry. However, he imparts a moralizing power to nature as he says that the trees don't allow people to believe in their immortality. The trees renew themselves every year and invite men to follow their example of refreshing the life.
xi. Larkin's poetry reveals his awareness of the passing of Time, that's why he considers that the man is a salve of time. He vividly discusses the adverse effects of time on man. Like Hardy, he is obsessed with the destructive nature of time. The three phases of time, present, past and future are mutually exclusive but not oblivious. He says himself in "Reference Back":
"Though our element is time,/ We are not suited to the long perspectives / Open at each instant of our lives. / They link us to our losses."
Deep and profound is the influence of the social and political atmosphere of his time on Larkin’s poetry. Larkin’s realistic approach towards his Time makes him write what he has written. We can see the true portrait of post-war England in Larkin’s collection of poetry, or it can be said that his poetry is greatly reinforced by the cataclysmic scenario of post-war England.
Time links us to our past. The dreams and hopes which we fondly cherished are blasted as we grow old and we are overcome with a sense of loss. "There is a double cruelty in time'. P.R. King comments:
"It both reminds us what we might have had, and turns what we do have into a sense of disappointment."
xii. Sex is one of Larkin’s main themes. He talks about people doing it, his lack of it, and his desperate desire for some of it. Larkin obviously isn’t getting any sexual fulfilment from anyone and he is unafraid to show that. BRUCE MEYER, a poetry critic, said of Larkin’s book High WINDOWS,
“Larkin’s poetry shows his pathetic and unattainable desires for love, passion, and human contact.”
Another thing that LARKIN's poetry does is make people relate to his problems and feelings and also desire the things he wants. LARKIN invokes his own jealousy of people who are having sex with his readers. LARKIN targets people who aren’t getting sexual fulfilment and makes them feel the same way he does: unhappy with their current predicament (not having sex) and possessing a desire to change this situation. Again BRUCE MEYER, “High Windows is about the sexual
“When I see a couple of kids / And guess he’s fucking her… Everyone old has dreamed of all their lives- Bonds and gestures pushed to one side.”
In the end, one can say that Larkin, being a modern poet, has taken up the themes of religion, melancholy, pessimism, realism, isolation, love, nature, social chaos, alienation, boredom, death, time and sex in his poetry. This approach is quite clear from his treatment of the questions of belief knowledge and perceptions. All these things were necessary because of the conditions of Post War England and also his treatment of these themes is very unique, realistic and convincing.
References
« Current Notes Guide for ' Romantic and Modern Poetry', Revised Edition, Published by CH. GHULAM RASOOL and Sons
« Textbook of 'PHILIP LARKIN Selected Poems', Latest Edition 2016, Published by 'New Kitab Mahal' < NKM >
« Various Education Websites for Online Searching
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