THE TOOME ROAD BY SEAMUS HEANEY


THE TOOME ROAD BY SEAMUS HEANEY

INTRODUCTION

This poem shows a way of state of war. The poet narrates his watching of foreign soldiers marching on the road during a state of battle. This state of battle has snatched away all the rights of man or public. Heaney feels that there must be some reaction, there must be a revolt. He feels, as a poet, to not protest but, as a man, he wants to protest. Anyone, who tries to shake the people out of slumber, appears to people as an enemy. So Heaney seems to be helpless to search out some outlet for his depression and helplessness at the invasion of foreign armies. Life is stable in sanctity; cruelty and oppression come and go but life stays holy. Huxley also says that life is invincible.

Marquez got the honour in 1987. In his address to the Nobel prize ceremony he said that there's most oppression, cruelty, violence and disease within the world, but the population of the planet is increasing. This shows that life doesn't stay still. it's always on the march to progress. during this poem, Heaney, too, seems to advocate this thing and tries to evangelise for a compromise with the troubles and worries of life.

CRITICAL APPRECIATION

This poem perhaps relates to a childhood experience of Heaney when he was only five or six years old. He watched American soldiers on military exercises within the fields along the roads. The forces were preparing for the Normandy invasion of 1944. The American armies were stationed near his house at an aerodrome within a pair of miles from his home. This is often how history, even legend or myth, haunt the consciousness of Heaney.

In the Toome Road, he describes the movement of armoured cars in a very convoy. The carriages, covered with some paint, leaves or nets in order that they appear like their surroundings, are in an exceedingly state of battle with soldiers standing up through holes within the armoured cars and that they are wearing head phones.

Heaney’s first reaction was that these were the foreigners who had occupied his land and who had denied him the proper of way. He wants to protest; he wants to- rouse people in reaction but helplessly he remarks:

‘The whole country were sleeping’

He wants to shake the people out of their slumbering in action. they need locked themselves within their houses because they, too, feel helpless.

The poem could be a good picture of foreign invasion. Like all poets, Heariey is additionally anti-war. within the end he makes a really helpless remark that these forces have invisibly descended upon their country from omphalos (omphalos is taken into account to be the navel, the centre of the universe. Obviously the reference is to a brilliant power) in order that they are invincible.

Here we see a conflict in Heaney between his aversion to foreign domination and his belief in political non commitment.

 

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RE-IMAGINING THE WAY
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